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 Glass Harp / Strings Attached
Special Friends Productions
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Having been a die hard Phil Keaggy fan for several
years, Id heard of Glass Harp. Id
even heard their Glass
Harp Live at Carnegie Hall disc. But I still wasnt
prepared for Strings Attached. When the
group formed and matured over 30 years ago, they were
a trio of great musicians with chemistry together
that was (and still is) extremely rare. So I
was excited to hear that the guys had gotten together
again and teamed up with the Youngstown Symphony
Orchestra for a reunion concert of epic proportions.
On October 22, 2000, Powers Auditorium in Youngstown,
OH sold out for only the second time in the buildings
history. Fans from all over the country made
the trip to see Glass Harp again. I was not one
of them so I was disappointed to hear that even
though the show was being recorded, there were no
plans to release it to the public. But, a week
after the show, Keaggy, Sferra and Pecchio were
listening to the recording and agreed that it was
each members finest performance and was worthy
of a public release. Now the rest of us get the
privilege to hear the amazing music made that October
night.And
amazing it is! No, amazing isnt strong
enough. Spellbinding, energizing, fascinating,
captivating, exciting and just good fun would help to
describe this recording. Phils opening
words ring true throughout both discs. Hold
on to your seats! Indeed, this is a
musical journey covering over 30 years of musical
ground. There is something for everyone from 1
to 100. The opening track, Look In The Sky
(a Glass Harp classic) proves once and for all these
guys have not lost their touch. In fact, they have
only improved! From the soft acoustic ballads of
Song of Hope, Southbound and
Mountains to the soulful Child of
the Universe and edgier jams such as Look
In the Sky, Never Is A Long Time,
Changes and Can You See Me,
the classic Glass Harp fan will not be disappointed.
But Keaggy fans need not worry; there are plenty of
Phils solo songs to satisfy your appetites. The
rocker John the Revelator (a natural
choice since Sferra played drums on the album version)
has its usual jaw dropping interplay between Keaggy,
Sferra and now Pecchio. From the Beginning,
Chalice (co-written with Sferra) and
Inseparable sound as if they were written
for Glass Harp and reach an entirely new level when
compared to the studio versions on Keaggys Inseparable CD. Phil even gives the band a break
and picks up his Olson acoustic guitar for the
obligatory and always amazing True Believers
and an equally impressive instrumental titled Shades
of Green. If you havent seen Phil play
these songs live, youd never guess he was the
only person playing these tunes. No, there is no band
hidden behind the curtain. No Memorex moments here;
only Phils incredible mastery of his acoustic
guitar and Lexicon Jam Man.
But I havent
even mentioned the Youngstown Symphony Orchestra yet!
The new directions and dimensions added to songs like
One Day At A Time, From the
Beginning, Garden, Let All
The Bells Ring, and Southbound were
unbelievable. To hear Overture and Tender
Love with a live orchestra was simply
incredible. It was not hard to tell how much effort
was put into this event. The interchanges
between Glass Harp and the orchestra were fantastic.
While Glass Harp is always outstanding as a three
piece, the extra strings, horns and keyboards fit in
perfectly. All the musicians did a fabulous
job, however, standouts included Chris Queen on
keyboards and drums (filling in for Sferra during the
acoustic set), Matt Corey on sax, Kathryn Umble on
flute, Harden Butcher on trumpet, Betsy Jones on
Viola, Teddy Pantelas on guitar and Ted Toto
Pecchio on electric bass.
While it is
impossible to pick one or even a few favorite tracks,
a few highlights for me include the live version of
True Believers us fans have been pleading
for, Child of the Universe written by
Daniel for his son Ted (who played bass on this
version) and dedicated to his other son Danny (in the
audience) and Days Gone By, a beautifully
arranged and almost hauntingly appropriate ballad
honoring this long anticipated reunion of friends.
But live
recordings, no matter how excellent the concert, have
a reputation for horrible reproduction when released,
especially those never intended for anything but use
by anyone except friends and family. That is one of
the things that surprised me most about Strings
Attached. Ive never been an
aficionado of live recordings; too much audience, not
enough bass, poor mixing of the instruments and
vocals among other things, have left me disappointed
with many live albums. But not this time; a
fantastic editing job by Sferra and Pecchio did the
evening justice with a great representation of both
sound and spirit. To be fair, I tried to find
something negative about this collection, but I
couldnt. I love it from beginning to end. My
only regret is that two CDs arent long enough
to hold everything! One track Lets Live
Together and the humorous exchanges between
songs had to be edited to fit on the double CD limit.
My final
thoughts echo Daniels words during the show.
It still works! Even after the first
song, it was crystal clear the magical synergy the
trio had 30 years ago is still in fine form today.
Lets get a bus and go on tour! Well
said, Daniel! If Glass Harp comes to a town
near you, dont miss it! Until then, dont
miss out on Strings Attached. If you only
buy one CD this decade, get this one (or rather two).
You wont regret it. Definitely a must
have for old and new fans of Phil Keaggy, John Sferra
and Daniel Pecchio. Even the most fastidious
of fans will be pleased.
--
by Stephanie Bargenquast
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Last Updated: September 28, 2001
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